It’s a daunting task to adequately
introduce an artist with Gunnar Madsen’s experience and diverse
background in a few short sentences. He is an award-winning composer,
singer (The Bobs a capella group), pianist, writer, sound designer,
filmmaker, and actor. He has composed and written music and books
for all age groups, acted in stage plays and musicals as well
as films; he has received commissions from Lincoln Center, the
Los Angeles Theater Center, the Minnesota Opera, Oberlin Dance
Collective, and on and on. Two Hands is Madsen’s eighteenth album
to date, and is comprised of fifteen original solo piano compositions
and three pieces for piano and violin. (Violinist Irene Sazer
of The Turtle Island String Quartet appears as a guest artist.)
While the album is very cohesive as an entity, there is variety
in the music that reflects Madsen’s wide range of life and artistic
experience. Deeply personal and often cinematic, the music conveys
an abundance of emotions without becoming overly complicated
or flamboyant. This is the music of a very accomplished artist
speaking from his heart via the piano. Recorded on the much-loved
piano at Skywalker Sound, the audio quality is stellar. Two Hands
is certainly in the running to be one of my favorite albums of
Two Hands begins with “Break Into Blossom,” a soft-spoken piece
that suggests hope and optimism. “In These Lonely Regions” was
inspired by a line from a poem by Neruda as well as the passing
of a favorite uncle. Very spare and open, strong emotions are
expressed with a minimum of notes. “Kerenyi” was adapted from
a play Madsen wrote in 1981. Dark and mysterious as a piano solo,
the violin enters about 1/3 of the way into the piece and casts
an even more haunting spell. “Nino and Me” is a lovely romantic
waltz with a tender and graceful melody - very visual. “The Blackbird
Whistling” is one of my favorites. Inspired by Wallace Stevens’
poem, “13 Ways of Looking At a Blackbird,” it more than hints
of Erik Satie. The title could also be a nod to Satie’s odd titles
and playing instructions. Most of the piece is very slow, spare,
and flowing, trailing off at the end - exceptional! “Bandon”
refers to a town on the Oregon Coast where Madsen’s great aunt
and uncle had a cranberry farm that he visited one summer as
a young boy. It’s the music of memories - simple and uncluttered.
“For Wendy” was Madsen’s first composition, written for a girlfriend
years ago. The heartfelt emotions convey the unbridled passions
of youth. “Down Moon” gets me every time I hear it and is my
favorite piece on this excellent album. Very dark and melancholy
with occasional flickers of hope, it really makes my fingers
itch (sheet music???)! I also really love “Oak Sky.” Simple yet
incredibly moody, it says so much with so little. “Red Bird”
ends the album with a gorgeous piano/violin duet that is perhaps
the most cinematic piece of the album. Dark and expressive, it’s
an evocative musical dialog between two artists.
Two Hands is an incredible musical experience
that I very highly recommend. It is available from www.gunnarmadsen.com,
Amazon, CD Baby, and iTunes.thtextshortboltit Check it out! - Kathy Parsons
The first time I heard Gunnar Madsen's group The
Bobs was on an episode of the Dr. Demento Show in the late 1980's. The song "Cowboy Lips" inspired
me to go out and buy several Bobs albums and turned me on to acapella music.
After ten years of The Bobs, Madsen has been involved in everything under the
sun. He's written music for movies (Just A Kiss, The Break Up), television
(Sex And The City, HBO's Asteroids), done voice work (HBO's The Rat Pack as
Sammy Davis Jr.), released critically acclaimed albums for adults and children
and even been nominated for a GRAMMY Award. Madsen's musical theater work (The
Shaggs, co-written with Joy Gregory) has won awards for Best Original Score,
Best World Premier Musical and Musical Of The Year from various groups. Every
on the move, Madsen returns in 2010 with an album of solo-piano compositions
(occasionally aided by Turtle Island String Quartet's Irene Sazer on violin)
entitled Two Hands. Recorded at world-renowned Skywalker Sound, Madsen delivers
a collection of sixteen songs worthy of its own award consideration.
Two Hands opens with "Break Into Blossom", a pretty, peaceful composition
with its own internal vibrancy. The song builds slowly in strength and confidence
like the budding of a flower, highlighting a pretty melody against the gentle
but unyielding pressure of burgeoning life. "Kerenyi" has an opening
line that sounds like a variation on Gershwin's "Rhapsody In Blue";
the comparison ends there however, as Madsen takes us on dark and moody journey
with hints of Celtic music in its heritage. One of the more compelling pieces
on the album is "Nino And Me", a depressed and disconnected waltz
that deconstructs a noble beauty against the background of deep sadness. You'll
have this particular composition on repeat.
"Ordinary Day" shows off Madsen's ability to hide simple beauty
write in front of your eyes (or ears). The song has an incidental feel, but
the pure sweetness of the theme buried in the mellow musical shell will call
to you. "The Blackbird Whistling" feels exploratory, with a theme
that comes alternatively in straight lines and scattered bursts. It's a wonderful
juxtaposition of the steady feel of nature and the vibrant intercessions of
life. "Frank Grows Flowers" is built around a similar concept, displaying
the vibrancy of simple, every day actions while setting a pace that's simultaneously
with purpose and at ease. There is a joyful feel to this song that cannot be
denied. Madsen gets more pensive with "Down Moon", building to dark,
muddy resolutions that push to break through but never quite manage, falling
back into themselves to try again. The song comes to rest in a state of sadness,
but there is a beauty in this struggle that shines through almost as a post-harmonic
theme. "3 South Trail" finds Madsen treading a lazy/dreamy path with
elements of melancholy woven in. It's a pretty set-up for the closing track, "Red
Bird". "Red Bird" is jarring and beautiful, sounding at times
like two separate and distinct thoughts occurring between piano and violin.
This conversation occasionally aligns into brief moments of clarity where the
two are so in-synch that you'll wonder how you ever thought otherwise.
Gunnar Madsen is one of those artists who seem likely
to explode if he stops creating. Madsen's muse runs in some many directions
it's dizzying, but nearly everything he touches turns to gold. That trend continues
with Two Hands, by far the best instrumental piano album to cross this desk
this year. Madsen's compositions come to vivid life on Two Hands, avoiding
classifications such as classical, pop or new age by transcending them all.
Two Hands is not an album you pick up for light dinner music; it's an album
you buy to listen to. If you do, the music is its own reward. - Wildy
Two Hands is a Wildy's World Certified
Desert Island Disc.
Rating: 5 Stars (Out of 5)
Gunnar Madsen Does It All with Two Hands
Gunnar Madsen is quite the performing arts renaissance man,
if ever there was one. Actor, singer, filmmaker, children’s songwriter,
Grammy-nominated musician, author, playwright, and soundtrack
composer, to name just a few.
At the moment, he returns to one of his
first and most basic muses – the piano. And it is on this recording
that we hear Madsen at his most pure – just him, the keyboard,
and his Two Hands.
The selections on this CD comprise a range
of musical thoughts and emotions that stem from the deep recesses
of Madsen’s psyche – everything from penetrating illness and
personal loss to fond childhood memories and beloved artistic
Musically, the album represents a variety of styles, including
jazz, new age, classical, and easy listening. And yet the CD
is unified in its overall sense of quietude and tranquility.
As a result, the album satisfies on several levels – as an artistically
fulfilling collection of beautiful arrangements and melodies,
as a fitting soundtrack for perfect relaxation and reflection,
and as sonic therapy for personal healing.
Two Hands is a
very personal album for Gunnar Madsen, and it is a very personal
album for the listener as well. This is perhaps the CD’s greatest
strength and value – the personal connection between the artist
and the audience.
Reviews New Age
Two Hands es el décimo tercer trabajo del premiado
y reconocido pianista, compositor, actor, cineasta y escritor, Gunnar Madsen.
Este ha recibido encargos desde las más grandes sedes, ha dirigido teatro
y cine y su música puede ser escuchada en los capítulos de la serie "Sexo en Nueva York" o
en los documentales de National Geographic. Two Hands se compone de dieciséis
solos de piano, acompañados en alguno de ellos por la violinista Irene Sazer,
estos están compuestos tras una larga convalecencia a causa de una neumonía;
obras que mantienen un estado sereno, sin sobresaltos, evitando por completo
los tempos excesivamente rápidos y manteniendo al oyente en una continua atención
debido a la impresionante calidad de las composiciones.
El comienzo no puede ser mejor, "Break into Blossom" abre
el CD. Sin ser rápida, esta pieza guarda un sentimiento de coraje extraordinario,
apasionado. De un gran poder alentador, este tema es la puerta al optimismo
y las buenas vibraciones. Me gusta!.
"In These Lonely Regions" es un corto
inspirado en unas líneas de un poema del chileno y Premio Nobel, Pablo Neruda
y en el fallecimiento de un familiar del artista. Una pieza triste y herida
con una melodía desconcertante cuya emoción se ve acentuada en ocasiones,
por la fuerza y energía que Gunnar transmite al piano.
Una de mis preferidas es "Kerenyi", Un
tema escrito para una obra de teatro en el año 81. Con la colaboración de
la violinista Irene Sazer, este tema posee una composición extraordinaria,
pegadiza y sobretodo, hermosa; recordando a algunos pasajes de Mertens o
Dorantes. La pieza pasa de ser delicada y expresiva, a poderosa y apasionada.
"Half Empty". En pocas ocasiones, la simplicidad
ha llegado a ser tan bella. Una melodía que parece ser improvisada nace de
notas altas y de golpes sutiles de acordes. Una pieza que muestra una profunda
Con un comienzo risueño y cariñoso "Nimo and Me" va
tornándose en un oscuro vals. Apto como banda sonora de una película de época,
esta pieza posee una nostálgica y suave melodía.
En "Ordinary Day" vuelve a aparecer el
violín de Irene Sazer. De nuevo, el piano y el violín crean una unión perfecta,
dando vida a otra de las melodías destacables en este CD. Co-escrita con
Joy Gregory, esta pieza, es sin duda, un placer para los oídos, perfecta
para lograr una buena relajación. Otras de mis preferidas!.
Inspirado en el poema "13 formas de ver a un mirlo" de Wallace Stevens, "The
Blackbird Whistling" es una obra descriptiva para esas trece composiciones
que componen el poema, donde simples golpes de acordes, acompañan a la melodía
principal que reproduce la mano derecha.
Dedicado a unas de sus principales influencias musicales,
el guitarrista y director de cine Frank Zappa, es "Frank Grows Flowers".
Como una manera de volver a dibujar ese juego melódico que Frank conseguía
con su guitarra, Gunnar hace lo propio pero al frente del piano, creando
una pieza ligeramente más rápida que las demás y con un carácter optimista
El lado melancólico de este álbum lo pone "Bandon",
una mirada al pasado. Bandon es una ciudad situada en el estado de Oregon,
a la que Gunnar solía ir para ver a sus tíos y jugar de pequeño. Con una
sencillez extraordinaria, la pieza apela a la tranquilidad, dibujando el
escenario perfecto para rememorar con cariño esos entrañables momentos. Qué
"For Wendy" es la pieza romántica del
CD. Fue la primera obra escrita por el pianista. Dedicada a su novia, esta
pieza es delicada, tierna, con una desbordante emoción y cariño que encoge
el alma. Me encanta!.
"Imagine it Falling" nació de una improvisación
jazz a la que Gunnar intentaba dar vida. La melodía que surgió fue de tal
belleza, que este dejó a un lado su objetivo y perfeccionó esta delicada
pieza. De carácter apasionada, la suave melodía fluye lenta, dejando instantes
de silencios tan importantes como las propias notas, resaltando las emociones
que esta puede transmitir.
Una de las obras maestras de este álbum es, "Down Moon".
Con un comienzo sombrío, el tema va tornándose enérgico, poderoso. Gunnar
va marcando con entusiasmo los acordes hasta llegar a un cenit emocionante
y sorprendente, lleno de coraje que va perdiendo fuerza para volver al desconcierto
del principio. Es asombrosa!. Wow!.
Un bello contraste con respecto a la pieza anterior. "Ockeghem's Turn" es
delicada y alegre, con un un toque ligeramente rápido y de carácter infantil,
la mano derecha reproduce una repetitiva melodía en la zona alta del piano,
mientras la izquierda acompaña con suaves acordes, que en ocasiones se muestran
En "Oak Sky", con sólo dos acordes, Gunnar
colma de sentimientos a este tema. La delicadeza en el toque es extraordinaria,
la pasión sobrecogedora y las sensaciones de bienestar y libertad son perfectas,
todo ello, encerrado en una simple melodía de curso lento. Increíble!.
"3 South Trail" posee una melodía libre,
parece ser improvisada, con silencios. Dedicada a su profesor John y a su
pareja Kate, esta pieza es desconcertante, pues a menudo, las notas aparecen
de forma libre, sin seguir un determinado patrón.
El CD concluye con "Red Bird", la última
aparición Irene Sazer, que dibuja una frenética melodía al violín, mientras
Gunnar acompaña con un fondo entrecortado de piano. De nuevo, el tándem formado
entre el piano y el violín dan vida a un pieza expresiva y emocionante!.
Two Hands es asombroso en todos los sentidos. Las ricas
y pegadizas composiciones de Gunnar Madsen sonarán una y otra vez en la mente
del oyente una vez finalizada su escucha. Destacando aquellas obras en las
que el violín de Irene resalta, aún más, toda la belleza de la pieza, este
trabajo es sublime, fascinante y perfecto para estar en contacto con la música
en su estado más puro. Muy recomendable. Alejandro
Clavijo González Puntuación: 5/5
These instrumental melodies touch the heart with their incredible sincerity.
The album “Two Hands” by Gunnar Madsen is only his acoustic piano with a delicate
violin accompaniment by Irene Sazer on several tracks. But you don’t need anything
else when you listen to this music which has a purity and a clearness in its
Gunnar Madsen is a bright composer and performer. Sometimes his music reminds
me of the great French impressionists like Satie or Debussy, sometimes Gunnar
Madsen’s piano is a bit similar to a meditation stream by George Winston, sometimes
his instrument sounds even in an avant-garde style but always Gunnar Madsen’s
music is very fresh and unique.
In general a strong individuality is felt in every note of the album “Two
Hands”. And yet Gunnar Madsen's music is exquisite and deeply emotional. At
the same time “Two Hands” is listened to easily for perception. Melodies of
Gunnar Madsen are picturesque. They invite you in to an attractive colored
world which is created by a great piano master.
One wants to stand this album in a row with the best samples
of the famous Windham Hill Records. Serge Kozlovsky
Age Music World
Some young adults begin their early working careers by taking whatever job
is at hand and find the road to success. Some hope to achieve the road to success
when handed the family business. Either decision requires talent and determination
of course, but the universal message often heard about either choice is to
always have your individual hopes and dreams.
Gunnar Madsen from Berkley California has achieved an impressive level of
success most would hope for at this stage of his bright career. You can visit
his website to learn all about his career choices through the years and I feel
his grand success as a Grammy Nominated pianist and award winning composer,
singer, writer, sound designer, filmmaker and actor are career decisions that
might have even impressed his family.
Two Hands is the New Age, Cinematic Piano, Instrumental 2010 release from
Gunnar Madsen and eighteenth CD he has produced. This album is a more especial
and innermost portrayal of his musical works in relation to his earlier compositions
with the a capella group he founded called The Bobs.
His first solo album Spinning World is a closer likeness with Two Hands, in
a uniquely diverse discography that includes award winning family CDs along
with an Epic Orchestral recording and even a lively pop art Rock album titled
The Power of a Hat.
The recipient of countless music and theatre awards,
his Grammy Nomination was for a song arrangement by The Beatles and has received
ASCAP Awards for 15 consecutive years, plus his music is featured in some
episodes of the widely popular HBO series Sex and the City and films Breaking
the Rules, A Special Providence, The Break Up & Just a Kiss. Gunnar Madsen
also does voiceovers, providing the film voice for Don Cheatle when he portrayed
Sammy David Jr. in the Emmy Award winning HBO film The Rat Pack and this
is just a partial listing of many credits during his career so far.
Two Hands was recorded at the industry regarded Skywalker Sound Studio and
includes 16 songs total. Three songs have contrasting instrumentals where notable
guest violinist Irene Sazer, a member of the improvisational Jazz and Classical
group Turtle Island String Quartet lends her elegant expressions.
The first violin portrayal by Irene Sazer on Kerenyl
is more subtle while gently tracing the melodic depth on strings as Gunnar
leads on piano. Ordinary Day & Red Bird make a beautiful piano and string
duet from the pair, extending the symmetrical harmony on each song while
interblending into a narrative full of melodic drama.
Solo Piano ballads of Cinematic proportions are the sequential songs where
Gunnar begins to reveal the innermost reflections of his work in a manner of
Outlined with a conceptual feeling of depth, some
of the more melodramatic and intriguing phrasing performed on songs like
Nino and Me, Down Moon & South
Trail are offered with a personalized touch.
Frank Grows Flowers is a song responding with an
upbeat tempo and imaginative runs while dancing along the piano keys in every
measure. The light reflective moments yet none the less expressive songs
The Blackbird Whistling, Brandon & Oak
Sky are more introspective in their structuring.
Break into Blossom begins with a lighter metrical
sway and soon unfolds into bolder imagery by exploring a more robust presentation
of greater intensity before returning into restful state of contentment and
has a resemblance in style with In These Lonely Regions & Down Moon,
given the more pronounced dynamics of diminuendo and crescendo variances.
Much like the memoir notes on the inside album cover detailing each composition,
Gunnar Madsen traces every song on Two Hands with a gifted accounting of his
diverse imagination while delivering a beautiful finger to key statement and
like the valuable reward of success that is never just handed to anyone, it
came from the talent and determination of an individual who started with and
continues to have, hopes and dreams.
Visit gunnarmadsen.com to sample / purchase or visit his
CDBaby.com page. You can also purchase at Amazon, iTunes and most music outlets.
Read more about Gunnar Madsen on his biography page. John